The Southbank Centre in London has today revealed that the curator of its famous Meltdown festival this year will be three-time Grammy Award-winning American composer, producer, arranger, guitarist, Rock and Roll Hall of Fame inductee, Chairman of the Songwriters Hall of Fame and Abbey Road Studios’ first ever Chief Creative Advisor, Nile Rodgers.
Nile Rodgers said: “To be able to curate and produce nine days of live music for the city of London, the UK and music enthusiasts visiting from all over the world is truly a dream come true. Anyone who knows my career knows that Funk, Disco, Jazz, Soul, Classical, Pop, New Wave, R&B, Fusion, Punk Rock, Afrobeat, Electronic and Dance music all play a role and you can expect that to be reflected in the performances we are planning. It’s all about the groove and this August everyone in London will be dancing to incredible live performances.”
Nile Rodgers’ predecessors who have hosted the festival in its 25 year history include John Peel, David Bowie, Lee ‘Scratch’ Perry, Morrissey, Patti Smith, Massive Attack, Yoko Ono, David Byrne, M.I.A and The Cure frontman Robert Smith in 2018.
Each curator takes total artistic control of the festival, programming acts according to their own vision.
Past performers have included Nina Simone, The Yeah Yeah Yeahs, and Jeff Buckley who played his final UK show at Elvis Costello’s Meltdown. The New York Dolls reunited for Morrissey’s curation; Patti Smith performed Horses in full for her festival; and an all-star line-up including Nick Cave, Grace Jones and Pete Doherty sang Disney songs with Jarvis Cocker at his 2007 Meltdown.
From 3 – 11 August, Rodgers will take over the various stages and outdoor spaces of the Southbank Centre. Over nine days Rodgers will present a hand-picked line-up of show-stopping music, art and free events, in what will undoubtedly be the funkiest festival of the year.
Among music legends, Nile Rodgers is truly exceptional. From co-founding slick disco pioneers CHIC with his late creative partner Bernard Edwards, to his own global success as a songwriter and producer, Rodgers has contributed to records that have cumulatively sold more than 500 million albums and 75 million singles worldwide, and has left an indelible signature on the music of today.
More than a collaborator, Rodgers has been instrumental in the careers of some of the biggest artists in the history of popular music. Following the incredible success of the songs he and Bernard Edwards co-wrote and produced for Sister Sledge (‘He’s The Greatest Dancer’ and ‘We Are Family’ to name but two) and Diana Ross (‘Upside Down’ and ‘I’m Coming Out’ – the biggest sellers of her career) his production on David Bowie’s 1983 album Let’s Dance was a worldwide sensation. The title track became one of the best-selling UK singles of all time, galvanizing both his and Bowie’s positions in mainstream culture and remaining the greatest success of one of music’s greatest artist’s careers.
Rodgers’ remix of Duran Duran’s ‘The Reflex’ became the band’s biggest-selling single and an archetype song of its time leading to an over 35 year relationship with the band; and when he produced Madonna’s second album, Like A Virgin (1984) securing her first number one album and single, and the career-defining ‘Material Girl’, Rodgers undeniably hastened her rapid ascent to pop royalty selling over 25 million albums. CHIC’s 1979 number one hit ‘Good Times’ is one of the most sampled songs in history. It was most famously used in The Sugarhill Gang’s ‘Rapper’s Delight’, widely credited as the first record to break hip hop into the mainstream and setting off a paradigm in which Rodgers’ music has been used as the foundation of several new number one songs including Will Smith’s ‘Gettin’ Jiggy With It’ and Modjo’s ‘Lady (Hear Me Tonight)’.
Rodgers has continued to set sonic trends in recent years through his work with chart-topping artists such as Avicii, Sam Smith and Disclosure. In 2014, Rodgers was again responsible for a watershed moment in electronic dance music with the single ‘Get Lucky’ from iconic French electronic duo Daft Punk’s fourth studio album, Random Access Memories, which won three Grammy Awards including Album of the Year. Also featuring Pharrell Williams as co-writer, ‘Get Lucky’ was a global critical and commercial success, topping the charts in over thirty countries and becoming one of the best-selling singles of all time, further evidencing the timelessness of the Nile Rodgers sound. ‘Get Lucky’ was followed with singles ‘Lose Yourself To Dance’ and ‘Give Life Back To Music’.
In the 40 plus years since he and his prized ‘59 Fender Stratocaster (aka “The Hitmaker”) first started filling dance floors across the world, Nile Rodgers has founded the We Are Family Foundation, which powers youth around the world who are changing the game with their ideas, innovations and social good solutions, published his autobiography Le Freak: An Upside Down Story of Family, Disco and Destiny(2011), co-created soundtracks for movies such as Coming To America and the Halo computer game series, provided keynote addresses at countless global music industry conferences and festivals including 2017’s SXSW, beaten cancer twice, been inducted into the Rock And Roll Hall Of Fame and Songwriters Hall Of Fame and has only in the last few months become the Chairman of the latter.
Just last year he released a new album with CHIC, the Top 10 ranked It’s About Time featuring NAO, Mura Masa, Anderson .Paak, Elton John, Emeli Sande and Lady Gaga amongst many others, and led an extensive sold out UK arena tour. He was also announced as Abbey Road Studios’ first ever Chief Creative Advisor. The role sees Rodgers establish Abbey Road as his primary creative base and serve as the studios’ global ambassador within the creative community. His dedication to nurturing new talent, as well as his enduring appeal with audiences of all ages, was evident when he appeared as a guest judge on ITV 1’s The X Factor in autumn 2018. He and CHIC are currently joining forces with Cher on the America-wide Here We Go Again tour.
Image credit: ©Jill Furmanovsky